Posts Tagged ‘Lansingmusic.TV’

Review: Frank and Earnest – Modern Country

After a long hiatus between albums, Lansing pop punks Frank and Earnest are releasing their new album, Modern Country, with a release show on Saturday Sept. 6 featuring Able Baker Fox, Summerpunx and Braidedveins.

On record, Frank and Earnest is Ben Hassenger (guitar, vocals), Paul Wittmann (bass, vocals), Ryan Horky (drums) and Nick Pierce (guitar, vocals).

Here’s a review.

"Modern Country" cover, with artwork by Craig Horky.

With their brand of gritty, witty Descendents-esque pop punk, Frank and Earnest hit another home run. There might be a few straggling moments, but they pass the finish line with another great record.

“Paul 5″ is an energetic, bar-room-brawl of an opening track. With a country twang — the intro’s squealing notes, Wittmann’s natural drawl of a vocal and lyrics dwelling on missing an opportunity to meet a girl — the pumping drums, churning rhythm guitar and shouted backing vocals make this a fist-pumping stand out.

“Body Parts” feels a little clunky to me.  The quick, choppy dueling guitars and the solo toward the end feels a bit chaotic. Everything else in the song works just fine.

The lone song featuring Pierce on lead vocals, “This is Why I Don’t Party”, is one of the album’s couple standout tracks. Strummed electric guitar chords lay the backdrop while Pierce sings “…Spent all night staring at the ceiling, toss and turn the night away” and it immediately hooks you in. Then the rimshots on the snare come in and it gets better and better. The shout-along chorus — “I remember shaking, all throughout the night/I remember dizzy eyes and crooked sights” is great stuff. Its quick pace and high energy will make you sing along.

“Drink About It” is also a great track. High speed, ringing guitars, tom-tom heavy drums, excellent, hook-laden backing vocals and lyrics about drinking make this a nice track. Good stuff.

“Take the Back Road,” which is musically no different than many of the other tracks (loud guitars, pounding drums, energetic vocals), has something about it that gives it an extra energy. I’m not sure what it is. I guess the quick, driving acoustic intro hooks me in. It’s just a classic F&E track on par with “Mr. Holland’s Otis” or “Addictionary”. I love it.

The album’s last few tracks take the band in a few different directions.

“New Traditions” has a storytelling quality about it. Lots of lyrics, relatively quiet verses with chugging guitars and pounding tom-toms. “I examined the pages of those history books/every speck on the timeline, all the heroes and crooks/but I found a missing figure, a relic overlooked,” Hassenger sings, effortlessly pulling off the first of many wordy verses. The chorus is great with high energy instrumentation and backing vocals. Another catchy, anthemic singalong.

“Paul 6″ is the most country song on “Modern Country” complete with piano, slide guitar, acoustic guitar and topped off with Wittmann’s drawl played up for full effect. The song has a hopping drum beat, lyrics about not going to work — “Bossman calls to see if I’d go to work/Let me think about it/I don’t think so jerk,” and others about drinking are espoused. On one hand, it’s a bit gimmicky but on the other, it’s really genuine. A left turn but a neat and experimental one at that. Thumbs up.

Overall a good LP. Lots of anthemic choruses, loud guitars and just generally good punk rock. If you’re a fan of Descendents or The Gaslight Anthem-like punk rock, this will be right up your alley.

Check this out via their Bandcamp once its released on Saturday Sept. 6.

2013 Michigan music roundup Part 2 of 3

Here’s part 2 of our three-part round of Michigan releases for 2013. Read part 1, featuring Jake Simmons and the Little Ghosts, Flint Eastwood and The Swellers.

Lights and Caves “In Satori” EP

Formed late in 2012, Lansing-based Lights and Caves started writing songs and playing gigs almost immediately. With 2013 came the addition of Elliot Street Lunatic founder/guitarist/singer Jason Marr on guitar and vocals. Marr helped produce, and even played on, the EP. Released in August, the band has been playing gigs around the state any chance it gets.

From my Lansing City Pulse review: “The opener “Manchy” gives a nod to Atlanta’s Manchester Orchestra, with rocking but polished guitar chords mixed with pounding drums that proclaim the music’s danceability in no uncertain terms. “In Satori” recalls Radiohead’s “Reckoner,” with a finger-picked clean guitar countering another, Ebow-laden guitar that calmly washes over a light snare-dominated beat.

It all combines to hold Gorden’s Thom Yorke-esque falsetto to Earth. The same Radiohead influence is evident on “Run,” but with a lot more ambiance and spaciousness. Marr’s influence on this band is pretty obvious; the opening of “Tragedy” recalls ESL’s own song “Maps” from their second album “Ghost Town Lullabies.” Some of his guitar tones here sound straight out of ESL’s soundworld.

Moses “Gush” LP

Mount Pleasant band Moses, originally a large, multi-instrument acoustic outfit, changed its sound dramatically in 2013 by going fully electric and cutting down to three members (or sometimes four, adding the occasional extra guitarist at live shows) with just electric guitar, bass, drums and vocals. The band released its long-awaited debut album, “Gush,” in November on its Bandcamp page and played a few low-key shows to promote it.

From my Central Michigan Life review: “The vocable “ah-ha”s throughout “Huron,” recorded with ambiance and the live crowd in mind, will stay in your head for days.

The guitars driving the signature melody are accompanied by Schaeffer’s smooth and driving drum patterns and a crunchy rhythm guitar, while Pitzer’s vocals provide chill-inducing feeling, especially the line “When did we, when did we become what we are?” This line is delivered with a great conviction and energy and is definitely a stand out track on this LP.”

Small Parks “Meet Me In Cognito” EP

Formed out of the ashes of post-rock band Good Weather for Airstrikes, Lansing-based Small Parks strips away the long, drawn out instrumentals and exchanges them for tight, to-the-point emo punk songs.

From my LMTV review: ““Parallel Thoughts” has such a Gin Blossoms vibe toward the beginning, especially recalling their early 90′s hit “Hey Jealousy”. Talo’s distorted, intricate guitar picking gives the songs another tip-off to emo; noodley and textured like Connecticut’s The World is a Beautiful Place and I am No Longer Afraid to Die or Rockford, Illinois’ Joie De Vivre. Radick shows honesty and sadness in his lyrics: “You’re no longer with me when I sleep but your body still haunts me in my dreams/We could be onto something here/But I’m too afraid of failure to find out” and “yes it is true I once loved you/And at one point I loved myself too”.

Be apart of the Lansingmusic.TV Band Database: Here’s How

Bands, singer-songwriters, rappers, instrumentalists from all genres in Michigan! I (Sean) am updating and expanding the LMTV Band Database page and want your band or act to apart of it.

Here’s how you can get your band listed on our site:

Send an email with the following information to lansingmusictv@gmail.com. Please include in the Subject Line the following: LMTV Database and your band’s name

1. Please attach a most recent photo of your band

2. The band’s genre (please do not say “Other” or something similar)

3. The first and last names of members of the band along with the instrument and/or vocals each member plays

4. A few of the bands your band has played with (can be both local and national acts, and preferably bands similar to your style)

5. Links to your band’s social media sites and/or band website

 

Thanks!

Bomb the Music Industry’s Final Lansing Show Now Available To Stream **Live Set Now Available for FREE Download**


NY punk band, Bomb the Music Industry, played their last Lansing show on Wendnesday. I recorded the show and now it’s available to stream below. **EDIT: The live set is now available for FREE download at the same page**

I also realized something. I think all of the ID tags of the songs’ titles just say “Vacation” and not the actual song titles. Here’s the setlist. Song titles with a slash between the two mean that they are on one track.

Just in case that’s true, here’s the setlist:
Campaign For a Better Weekend
Everybody That Loves You
The First Time I Met Sanawon
All Ages Shows
Sorry Brooklyn, Dancing Won’t Solve Anything
493 Ruth
Vocal Coach
I Don’t Love You Anymore
The Shit That You Hate
Hurricane Waves
Even Winning Feels Bad w/ Bulls on Parade (Rage Against The Machine cover) interlude
Everybody That You Love
Saddr Weidr
Can’t Complain/Wherever You Are
Syke! Life is Awesome!
Don’t Destroy Yourself
Jobs Schmobs

LMTV and Bigger Brush Media sessions with Small Houses and Gun Lake

Back in May, we filmed a night’s worth of sessions with Bigger Brush Media filming bands like Elliot Street Lunatic, Gun Lake, Small Houses and a lot more.

The first batch are from Small Houses and Gun Lake:

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